Two of the most influential artists from 20th-century Cuba are being showcased together for the first time at Freedom Tower.
Carlos Alfonzo and Belkis Ayón, both of whom achieved recognition in the art world outside of Cuba before passing away at a young age, are the focus of the newest exhibition at the Museum of Art and Design (MOAD) at Miami Dade College, located in a historic downtown building.
The exhibit, named “Carlos Alfonzo and Belkis Ayón: Odyssey,” combines dynamic abstract paintings on canvas and paper by Alfonzo with Ayón’s well-known collagraph prints that incorporate images and symbols drawn from Afro-Cuban culture.Abakuáfraternal religious order.
Both Alfonzo and Ayón have experienced renewed recognition in recent years: Alfonzo had retrospectives at the Pérez Art Museum Miami in 2016 and the Institute of Contemporary Art, Miami in 2022, while Ayón’s standing in the art world has grown significantly since a traveling exhibition in 2016. LnS Gallery and David Castillo, two local galleries representing the estates of Alfonzo and Ayón respectively, have also organized solo exhibitions for the two artists.
Individuals who know both artists and their distinct artistic styles might be puzzled by this combination. Initially, Ayón’s somber figures and dark, dull colors seem completely different from Alfonzo’s lively and vibrant abstract compositions.
However, Amy Galpin, the museum’s executive director and chief curator, notes that the two share more similarities than one might think. The curator highlights a shared fascination with mythology, encompassing both the Western Greco-Roman tradition and Afro-Cuban roots, as well as common influences from European and Cuban art that connect the two artists.
I believed it would be intriguing to combine them and perhaps catch people off guard,” says Galpin. “I hope that when individuals visit the exhibition, even if they are doubtful, they could be taken aback by the links they discover in their creations.
The show is the museum’s second display at Freedom Tower since the structure underwent a modern renovation. The historic site now includes new interactive galleries that showcase its past function as the Cuban Refugee Center, along with a soccer-related exhibit from the FIFA Museum in preparation for the 2026 World Cup. Although these exhibits remain constant, the MOAD gallery offers rotating displays.
MOAD’s programming so far has reflected the historical significance of its location, starting with a group exhibition centered on migration. “Odyssey” also connects to the national backgrounds of its subjects and their experiences leaving Cuba. Alfonzo relocated to the U.S. during the Mariel Boatlift in 1980, whereas Ayón left the country for residencies and exhibitions while still living on the island.
The name of the show is Odyssey, and it was selected because both artists were familiar with Greek mythology, and intricate storytelling lies at the heart of both of their creations,” explains Galpin. “However, the concept of journeys is also significant, I believe, in our exhibitions… and that is somewhat of a link here, this idea of movement, of traveling. I think resilience is also a key element, as both artists faced difficulties in their lives and their work, yet remained dedicated to what they wanted to create and eventually gained recognition for it.
Alfonzo’s art specifically showcases those challenges. Following his departure from Cuba during the Mariel Boatlift, Alfonzo moved to Miami and started building his career and artistic style. He received public art projects, such as murals at the Santa Clara Metrorail Station and Florida International University, which are still visible today. His artwork took on a more somber tone as he faced AIDS, and he passed away in 1991 just before being featured in the Whitney Biennial.
Two pieces in the exhibition from this period reflect the artist’s mental state during that time. “Circolo #1” (1990) showcases geometric forms and circular lines in white and gray on a black background, with a layout that evokes both a hurricane spiral and a human skull. “Thirst” (1986), an earlier more disorderly painting, depicts a swirl of abstracted figures battling one another with knives and arrows, contemplating humanity’s tendency toward aggression.
Both pieces are part of Craig Robins’ collection, the real estate developer and art supporter who is best known for rejuvenating the Miami Design District. The two were friends while the artist was alive, and Robins recalls their connection with warmth.
I was excited to assist him in securing a studio space during his initial years in Miami,” Robins mentions. “It was a unique period in Miami Beach, and my friendship with Carlos was an exhilarating part of it. I used to visit his studio almost every day, and we would spend hours discussing art and life. He played a significant role in shaping my perspective on art and artists – I will always be grateful to him.
If you go:
WHATCarlos Alfonzo and Belkis Ayón: Journey
WHERE:Art and Design Museum at Miami Dade College, Freedom Tower, 600 Biscayne Blvd., Miami.
WHEN:10:00 AM to 6:00 PM, Wednesday to Sunday. Until May 10, 2026.
COST$18 for regular entry; $14 for senior citizens; $12 for students presenting an ID and children aged 7 to 18; complimentary for MDC students and staff with identification, children 6 and younger, current U.S. military personnel and veterans, and individuals with disabilities along with their attendants.
INFORMATION:305-237-7700 and moadmdc.org
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